I can’t do Christopher Walken impressions anymore, thanks [Barack] Obama.
BARON VAUGHNAnyone who buys a ticket can just go in there, and I don’t like everyone, so I always see concerts as like, I’m going to get punched, I’m going to get elbowed, I’m going to get stepped on, get spilled on, someone’s going to hit me with their body odor or something.
More Baron Vaughn Quotes
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Being around Lily Tomlin has been great, how she treats people, how she handles herself, how she goes about interpreting her character or deciding how the comedy should work.
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I’m working with a lot of legends who are brilliant who are people I’ve looked up to from a very young age.
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[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.
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Sometimes I have young comics that ask me, “What should I do when I meet an agent or a manager and they ask me stuff?” And I say, “Well, they always usually ask, ‘Where do you see yourself in five years, 10 years, 15 years?’ And it’s good to have an answer for that.”
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When you’re a young comedian the first thing you want to do is get a laugh.
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The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We’ve been friends for a couple of years and she worked with me on the animation. I believe she’s still working over at BuzzFeed.
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Netflix is very protective with their information .
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The thing is that where I want to go isn’t necessarily tied to what’s going on there politically, but I think Vietnam is a really beautiful country. I think Thailand is also really beautiful.
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One time I was really close to Steve Martin. I was too afraid to actually go talk to him, but I’ll count that as meeting.
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Lily Tomlin…I used to watch reruns of Laugh-In and she was always my favorite part. She’s this very unique talent and the way she does things has been a very big influence on me.
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Every laugh is not equal. They come from different places. That’s sort of the challenge I go towards, making sure the laughs are for the reasons I want. It becomes a back and forth dance with the audience.
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I just got diagnosed with tendonitis which is such an insulting diagnosis. Just point to my shoulder and say “old.”
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The audience is your first collaborator with the material. If that makes sense.
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There’s a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
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If you’re driving down the street, you keep the neck forward. So that way you can clear out the lanes.
BARON VAUGHN