As you go on you realize “Okay I know how to get laughs but am I saying things I want to say? Am I writing jokes that I like?” You get to a point that is that so you move on.
BARON VAUGHNNetflix is very protective with their information .
More Baron Vaughn Quotes
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I just got diagnosed with tendonitis which is such an insulting diagnosis. Just point to my shoulder and say “old.”
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The alphabet was invented in Iraq, so it’s a cool place.
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I’m working with a lot of legends who are brilliant who are people I’ve looked up to from a very young age.
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One time I was really close to Steve Martin. I was too afraid to actually go talk to him, but I’ll count that as meeting.
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Sometimes I have young comics that ask me, “What should I do when I meet an agent or a manager and they ask me stuff?” And I say, “Well, they always usually ask, ‘Where do you see yourself in five years, 10 years, 15 years?’ And it’s good to have an answer for that.”
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[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.
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If you’re driving down the street, you keep the neck forward. So that way you can clear out the lanes.
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I’ll get laughs in the places I don’t want them and that makes me realize the direction I want to go in. I don’t mean to get too deep into comedy here.
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First of all I love Empire Records and That Thing You Do and all the movies he did from that era. He hates when I bring that up.
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I can’t do Christopher Walken impressions anymore, thanks [Barack] Obama.
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The Middle East is gorgeous, but again, politically, I would not want to go there.
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The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We’ve been friends for a couple of years and she worked with me on the animation. I believe she’s still working over at BuzzFeed.
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Sometimes you’re not getting the laughs you want or at the place you want but that doesn’t mean it’s not funny. It means you haven’t explored it enough.
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The audience is your first collaborator with the material. If that makes sense.
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I am afraid of abandonment, and, if you will, in a really existential way, being exposed as a fraud. Everyone’s afraid of it, and I definitely am. This is a fear that motivates. Oh, and heights. And getting stabbed.
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