[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.
Lily Tomlin…I used to watch reruns of Laugh-In and she was always my favorite part. She’s this very unique talent and the way she does things has been a very big influence on me.
Every laugh is not equal. They come from different places. That’s sort of the challenge I go towards, making sure the laughs are for the reasons I want. It becomes a back and forth dance with the audience.
The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We’ve been friends for a couple of years and she worked with me on the animation. I believe she’s still working over at BuzzFeed.
As you go on you realize “Okay I know how to get laughs but am I saying things I want to say? Am I writing jokes that I like?” You get to a point that is that so you move on.
Sometimes I have young comics that ask me, “What should I do when I meet an agent or a manager and they ask me stuff?” And I say, “Well, they always usually ask, ‘Where do you see yourself in five years, 10 years, 15 years?’ And it’s good to have an answer for that.”
The thing is that where I want to go isn’t necessarily tied to what’s going on there politically, but I think Vietnam is a really beautiful country. I think Thailand is also really beautiful.
Anyone who buys a ticket can just go in there, and I don’t like everyone, so I always see concerts as like, I’m going to get punched, I’m going to get elbowed, I’m going to get stepped on, get spilled on, someone’s going to hit me with their body odor or something.
I think Batman Returns is right for riffs. I love it but it’s the ultimate Tim Burton movie. There is so much that happens that’s crazy and there are a ton of things to riff.
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