I don’t care what you say about me. Just be sure to spell my name wrong.
BARBRA STREISANDYou know, I can’t remember my good reviews. I remember negative ones. They stay in my mind.
More Barbra Streisand Quotes
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My friend Quincy Jones says we won our first Grammys together in 1963. I have no recollection. I don’t even remember the room. When he showed me the picture, I remembered what I wore. But it’s like awards don’t mean anything.
BARBRA STREISAND -
Marlon Brando. The finest actor who ever lived. He was my idol when I was 13. He’s done enough work to last two lifetimes. Everything I do, I think: Can Brando play this with me?
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One thing’s for sure: now when I look at Funny Girl, I think I was gorgeous. I was too beautiful to play Fanny Brice.
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I hear these melodies. I hear horn lines and string lines. That’s what’s fun about recording with an orchestra.
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When I was maybe 5 or 6 years old, the neighborhood girls would sit on the stoop and sing. I was known as the kid who had a good voice and no father.
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My biggest nightmare is I’m driving home and get sick and go to hospital. I say: ‘Please help me.’ And the people say: ‘Hey, you look like…’ And I’m dying while they’re wondering whether I’m Barbra Streisand.
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I just became a singer, because I could never get work as an actress.
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I started going to acting school when I was 14, and I would always have my own take on things.
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The dream – you never achieve it. The excitement of life lies in the hope, in the striving for something rather than the attainment.
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We have a president who stole the presidency through family ties, arrogance and intimidation, employing Republican operatives to exercise the tactics of voter fraud by disenfranchising thousands of blacks, elderly Jews and other minorities.
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I hate tooting my own horn, but after Steven Spielberg saw Yentl, he said: “I wish I could tell you how to fix your picture, but I can’t. It’s the best film I’ve seen since Citizen Kane”.
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I’m a work in progress.
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I go by instinct – I don’t worry about experience.
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It always gave me the creeps when I saw performers who desperately wanted the audience to like them. That’s not what I’m about.
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Being a woman in music was fine, but when I wanted to direct, I was poking my head into a man’s world.
BARBRA STREISAND