As with the Princess Di crash, which sent the media on the most insane feeding frenzy. From the moment of the crash, the pornography of sentiment never let up.
BARBARA KRUGERDo you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
More Barbara Kruger Quotes
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Teaching at university isn’t like teaching in an art school.
BARBARA KRUGER -
I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
BARBARA KRUGER -
Warhol’s images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn’t think about him a hell of a lot.
BARBARA KRUGER -
You want it, you buy it, you forget it.
BARBARA KRUGER -
I have frequently said, and I will repeat again, in the manner of any well-meaning seriality, that I’m interested in mixing the ingratiation of wishful thinking with the criticality of knowing better.
BARBARA KRUGER -
I’m an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
BARBARA KRUGER -
You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
BARBARA KRUGER -
Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
BARBARA KRUGER -
All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
BARBARA KRUGER -
The reason why bookstores are going out of business in the States is that people just can’t focus on longer narratives now – even narrative film is in crisis in many ways, unless it’s an adventure film.
BARBARA KRUGER -
It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.
BARBARA KRUGER -
I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
BARBARA KRUGER -
It’s hard for me to understand how working-class people support themselves.
BARBARA KRUGER -
I worked with someone else’s photos; I cropped them in whatever way I wanted and put words on top of them. I knew how to do it with my eyes closed. Why couldn’t that be my art?
BARBARA KRUGER -
The different aspects of my activity, whether it’s writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don’t make any separation in terms of those practices.
BARBARA KRUGER