It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.
BARBARA KRUGERPhotography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.
More Barbara Kruger Quotes
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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I feel uncomfortable with the term public art, because I’m not sure what it means. If it means what I think it does, then I don’t do it. I’m not crazy about categories.
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I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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The reason why bookstores are going out of business in the States is that people just can’t focus on longer narratives now – even narrative film is in crisis in many ways, unless it’s an adventure film.
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I had to figure out how to bring the world into my work.
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It’s a small world, but not if you have to clean it
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If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture – not only national culture but global culture.
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Teaching at university isn’t like teaching in an art school.
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Do you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
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Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
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It’s hard for me to understand how working-class people support themselves.
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I just say I’m an artist who works with pictures and words.
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The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
BARBARA KRUGER