Architecture is my first love, if you want to talk about what moves me… the ordering of space, the visual pleasure, architecture’s power to construct our days and nights.
BARBARA KRUGERI’ve always thought that it’s good to watch the news to find out what everybody else is looking at and believing, if only because that’s how consensus is constructed.
More Barbara Kruger Quotes
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What makes the production of my work so expensive? The whole installation thing – the construction, the objects, the technology. It really adds up.
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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GIVE YOUR BRAIN AS MUCH ATTENTION AS YOU DO YOUR HAIR AND YOU’LL BE A THOUSAND TIMES BETTER OFF.
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It entered the visual vocabulary of photographers, painters and sculptors and focused on what pictures and words look like and what they can mean.
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
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I’ve always been very tied to language.
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Do you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
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I think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
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You want it, you buy it, you forget it.
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Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.
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I have no complaints, except for the world.
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Doubt tempers belief with sanity.
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I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
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The reason why bookstores are going out of business in the States is that people just can’t focus on longer narratives now – even narrative film is in crisis in many ways, unless it’s an adventure film.
BARBARA KRUGER