I think pictures and words have the power to make us rich or poor.
BARBARA KRUGERI’ve always thought that it’s good to watch the news to find out what everybody else is looking at and believing, if only because that’s how consensus is constructed.
More Barbara Kruger Quotes
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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I think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
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Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
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The different aspects of my activity, whether it’s writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don’t make any separation in terms of those practices.
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it’s the ideological framing of the debate that scares me.
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I’ve always been very tied to language.
BARBARA KRUGER -
I’ve always thought that it’s good to watch the news to find out what everybody else is looking at and believing, if only because that’s how consensus is constructed.
BARBARA KRUGER -
If I bring up political power, personal power, it sounds like they’re my terms, and they’re not.
BARBARA KRUGER -
Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
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I feel uncomfortable with the term public art, because I’m not sure what it means. If it means what I think it does, then I don’t do it. I’m not crazy about categories.
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I’m trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
BARBARA KRUGER -
Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.
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All violence is the illustration of a pathetic stereotype.
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
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I worked with someone else’s photos; I cropped them in whatever way I wanted and put words on top of them. I knew how to do it with my eyes closed. Why couldn’t that be my art?
BARBARA KRUGER