I think pictures and words have the power to make us rich or poor.
BARBARA KRUGERAlthough my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
More Barbara Kruger Quotes
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But I really resist categories – that naming is a closing down of meaning. Women’s art, political art – those categorisations perpetuate a certain kind of marginality which I’m resistant to. But I absolutely define myself as a feminist.
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
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I think there are different ways of being rigorous, and I am asking people to be as rigorous in their pleasure as in their criticism.
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
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Do you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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I’d always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
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I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
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I’m trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
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As with the Princess Di crash, which sent the media on the most insane feeding frenzy. From the moment of the crash, the pornography of sentiment never let up.
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I think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
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Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
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It’s really hard for me to use the term ‘history’ in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I’d rather stick to the pluralness of ‘histories’ in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it’s the ideological framing of the debate that scares me.
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What I’m trying to do is create moments of recognition.
BARBARA KRUGER