When I’m in the mode of feeling positive about love, I don’t really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
BABATUNDE ADEBIMPEI probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.
More Babatunde Adebimpe Quotes
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I don’t want my reasons to be informed by what people think about what I’m doing.
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I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.
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I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
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I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”
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If you push hard enough you can change. You can take everything you know and round it up, turn it into something else, and keep turning things into something else.
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There are people who kind of let you know that you can silence the room.
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The cynicism doesn’t come across in the final; it can be taken as a very sincere plea for someone to not go away.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
BABATUNDE ADEBIMPE