I was glad to see other blues guitarists like Albert King have crossover successes like me. We played in the same places like the Whisky and the Filmore. When Albert made his guitar cry, he could cut you so deep!
I don’t do much recording anymore, but before I really stopped, I was glad to get five, five cent a record. That’s why when I see people today and they complain about what they get, and I picked cotton for $2.50 a day.
The blues was like that problem child that you may have had in the family. You was a little bit ashamed to let anybody see him, but you loved him. You just didn’t know how other people would take it.
The crowds treat me like my last name. When I go onstage people usually stand up, I never ask them to, but they do. They stand up and they don’t know how much I appreciate it.
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