No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell.
ANTONIN ARTAUDThe true theater, because it moves and makes use of living instruments, continues to stir up shadows where life has never ceased to grope its way.
More Antonin Artaud Quotes
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Hell is of this world and there are men who are unhappy escapees from hell, escapees destined ETERNALLY to reenact their escape.
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There are those who go to the theatre as they would go to a brothel.
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All writing is garbage. People who come out of nowhere to try and put into words any part of what goes on in their minds are pigs.
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I myself am an absolute abyss.
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I call for actors burning at the stakes, laughing at the flames.
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It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.
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By suicide I introduce my design in nature, I shall for the first time give things the shape of my will … now I choose the direction of my thought and the direction of my faculties, my tendencies, my reality.
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And if there is still one hellish, truly accursed thing in our time, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signaling through the flames.
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The fixation of the theater in one language–written words, music, lights, noises–betokens its imminent ruin.
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Destroy yourselves, you who are desperate, and you who are tortured in body and soul, abandon all hope. There is no more solace for you in this world. The world lives off your rotting flesh.
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Poetry is a dissociating and anarchic force which through analogy, associations and imagery, thrives on the destruction of known relationships.
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I do not work within the confines of any realm. I work in the unique moment of duration.
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The race of prophets is extinct. Europe is becoming set in its ways, slowly embalming itself beneath the wrappings of its borders, its factories, its law-courts and its universities. The frozen Mind cracks between the mineral staves which close upon it.
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In consciousness dwells the wondrous, with it man attains the realm beyond the material, and the Peyote tells us, where to find it.
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Before our eyes is fought a battle of symbols, for there can be theatre only from the moment when the impossible really begins and when the poetry that occurs on the stage sustains and superheats the realized symbols.
ANTONIN ARTAUD