One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.
ANSEL ADAMSA true photograph need not be explained, nor can it be contained in words.
More Ansel Adams Quotes
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In my mind’s eye, I visualize how a particular… sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
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The ‘machine-gun’ approach to photography – by which many negatives are made with the hope that one will be good – is fatal to serious results.
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No matter how sophisticated you may be, a large granite mountain cannot be denied – it speaks in silence to the very core of your being.
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Today, we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas.
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There are always two people in every picture: the photographer and the viewer.
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When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
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I believe in beauty. I believe in stones and water, air and soil, people and their future and their fate.
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The single most important component of a camera is the twelve inches behind it!
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Millions of men have lived to fight, build palaces and boundaries, shape destinies and societies; but the compelling force of all times has been the force of originality and creation profoundly affecting the roots of human spirit.
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The camera cannot, but the photographer can.
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Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
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Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum.
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I hope that my work will encourage self expression in others and stimulate the search for beauty and creative excitement in the great world around us.
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The negative is comparable to the composer’s score and the print to its performance. Each performance differs in subtle ways.
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We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.
ANSEL ADAMS