It wasn’t until I was named Youth Poet Laureate of L.A. in high school though that I officially began calling myself a poet. I just always loved writing, period.
As a young black woman, I notice at times in the mainstream media framing of the ‘me too’ movement you see a white female face or a white male face, and that type of questioning and interrogation needs to happen.
I love Black poets. I love that as a Black girl, I get to participate in that legacy. So that’s Yusef Komunyakaa, Sonia Sanchez, Tracy K. Smith, Phillis Wheatley.
What contributed to my writing early on is how my mom encouraged it. She kept the TV off because she wanted my siblings and I to be engaged and active. So we made forts, put on plays, musicals, and I wrote like crazy.
I did a lot of sitting back and thinking about what I wanted for myself and what I wanted for my country: more unity, more support for the arts and more opportunities for young writers from marginalized groups.
When you are learning through poetry how to speak English, it lends to a great understanding of sound, of pitch, of pronunciation, so I think of my speech impediment not as a weakness or a disability, but as one of my greatest strengths.
It was so incredible meeting Lady Gaga. I mean I’m gaga for Gaga, literally. We kind of just each flew to each other like magnets after the ceremony ended and we were both just crying and hugging.
Poetry is – it’s an art form, but, to me, it’s also a weapon, it’s also an instrument. It’s the ability to make ideas that have been known, felt and said. And that’s a real, I think, type of duty for the poet.
One of the most rewarding moments of my career is when I’m speaking to a child who tells me they have the same speech impediment that I had to overcome and that they’re going to keep writing or sharing their voice after hearing my story.
