The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTIIn a burning building I would save a cat before a Rembrandt.
More Alberto Giacometti Quotes
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Whores are the most honest girls. They present the bill right away.
ALBERTO GIACOMETTI -
It is impossible to do a thing the way I see it because the closer I get the more differently I see.
ALBERTO GIACOMETTI -
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
ALBERTO GIACOMETTI -
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI -
I paint and sculpt to get a grip on reality… to protect myself.
ALBERTO GIACOMETTI -
All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
ALBERTO GIACOMETTI -
Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
ALBERTO GIACOMETTI -
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
ALBERTO GIACOMETTI -
All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
ALBERTO GIACOMETTI -
The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
ALBERTO GIACOMETTI -
When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
ALBERTO GIACOMETTI -
I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
ALBERTO GIACOMETTI -
I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
ALBERTO GIACOMETTI -
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
ALBERTO GIACOMETTI -
That’s the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.
ALBERTO GIACOMETTI






