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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.

Alberto Giacometti

All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
ALBERTO GIACOMETTI

Care Fashion Life Oneself Past Pieces Work
I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
ALBERTO GIACOMETTI

Age Contradict Identify Myself Remain
When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
ALBERTO GIACOMETTI

Appearance Darkness Drawing Man Myself Path
What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
ALBERTO GIACOMETTI

Happiness Impossible Myself Work
Whores are the most honest girls. They present the bill right away.
ALBERTO GIACOMETTI

Honesty Prostitution Sex Woman
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
ALBERTO GIACOMETTI

Color Course Elimination Intention Myself Paint Work
All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
ALBERTO GIACOMETTI

Art Civilization Life Memories Myself Past Replacement Rise Space Work
I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
ALBERTO GIACOMETTI

Myself Reason Work
Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
ALBERTO GIACOMETTI

Evolution Ourselves Past Pieces Taste
If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI

Color Myself Reproduction See
I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
ALBERTO GIACOMETTI

Drawing Myself Time Understand
The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
ALBERTO GIACOMETTI

Body Head Life Play Possible Skull
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI

Artist Modeling Myself Person Possible Sculpture
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
ALBERTO GIACOMETTI

Discover Image Known Myself Object Transformation
The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI

Escape Face Human Oneself Strange Unknown
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
ALBERTO GIACOMETTI

Care Failure Importance Live Problem Prostitution Yourself

When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.

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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.

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