Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
ALBERTO GIACOMETTIWhat I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
More Alberto Giacometti Quotes
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At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI -
I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
ALBERTO GIACOMETTI -
Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
ALBERTO GIACOMETTI -
What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
ALBERTO GIACOMETTI -
All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
ALBERTO GIACOMETTI -
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
ALBERTO GIACOMETTI -
When you look at art made by other people, you see what you need to see in it.
ALBERTO GIACOMETTI -
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
ALBERTO GIACOMETTI -
It is impossible to do a thing the way I see it because the closer I get the more differently I see.
ALBERTO GIACOMETTI -
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
ALBERTO GIACOMETTI -
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
ALBERTO GIACOMETTI -
The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI -
I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
ALBERTO GIACOMETTI -
It was always disappointing to see that what I could really master in terms of form boiled down to so little.
ALBERTO GIACOMETTI -
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
ALBERTO GIACOMETTI






