Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
ALBERTO GIACOMETTIWhen you look at art made by other people, you see what you need to see in it.
More Alberto Giacometti Quotes
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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
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I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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The form is always the measure of the obsession.
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When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
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I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
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Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
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The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
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I paint and sculpt to get a grip on reality… to protect myself.
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In a fire, between a Rembrandt and a cat, I would save the cat.
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I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI