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When you look at art made by other people, you see what you need to see in it.

Alberto Giacometti

When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
ALBERTO GIACOMETTI

Confusion Distance Greatness Head Myself
If we master a bit of drawing, everything else is possible.
ALBERTO GIACOMETTI

Drawing Master Possible Potential
All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
ALBERTO GIACOMETTI

Equality Failure Image Myself Success Willing
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI

Artist Modeling Myself Person Possible Sculpture
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
ALBERTO GIACOMETTI

Discover Image Known Myself Object Transformation
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
ALBERTO GIACOMETTI

Care Failure Importance Live Problem Prostitution Yourself
I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
ALBERTO GIACOMETTI

Drawing Myself Time Understand
Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
ALBERTO GIACOMETTI

Evolution Ourselves Past Pieces Taste
Art is the residue of vision.
ALBERTO GIACOMETTI

Art One Liner Residue Vision
I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
ALBERTO GIACOMETTI

Age Contradict Identify Myself Remain
If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI

Color Myself Reproduction See
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
ALBERTO GIACOMETTI

Color Course Elimination Intention Myself Paint Work
All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
ALBERTO GIACOMETTI

Art Civilization Life Memories Myself Past Replacement Rise Space Work
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
ALBERTO GIACOMETTI

Experience Failure Feeling Give Up Lost Moments Open Progress Success Yourself
Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
ALBERTO GIACOMETTI

Failure Friendship Myself Success Worst
When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
ALBERTO GIACOMETTI

Appearance Darkness Drawing Man Myself Path

When you look at art made by other people, you see what you need to see in it.

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When you look at art made by other people, you see what you need to see in it.

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