Art is the residue of vision.
ALBERTO GIACOMETTITaste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
More Alberto Giacometti Quotes
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The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
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I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
ALBERTO GIACOMETTI -
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
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That’s the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.
ALBERTO GIACOMETTI -
I’ve tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
ALBERTO GIACOMETTI -
When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
ALBERTO GIACOMETTI -
Whores are the most honest girls. They present the bill right away.
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When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
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The older I grow, the more I find myself alone.
ALBERTO GIACOMETTI -
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
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In a fire, between a Rembrandt and a cat, I would save the cat.
ALBERTO GIACOMETTI -
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI