When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
ALBERTO GIACOMETTIThe head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
More Alberto Giacometti Quotes
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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
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Whores are the most honest girls. They present the bill right away.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
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What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
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I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
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I paint and sculpt to get a grip on reality… to protect myself.
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In a fire, between a Rembrandt and a cat, I would save the cat.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
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I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
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Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
ALBERTO GIACOMETTI