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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.

Alberto Giacometti

Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
ALBERTO GIACOMETTI

Artistic Children Creation Discover Myself Success
All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
ALBERTO GIACOMETTI

Equality Failure Image Myself Success Willing
The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTI

Art Intensity Object Reality Reproduction
I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.
ALBERTO GIACOMETTI

Myself Reason Work
If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
ALBERTO GIACOMETTI

Marvelous Myself Paint See
In a burning building I would save a cat before a Rembrandt.
ALBERTO GIACOMETTI

Animal Building Burning Choice Myself Save
When you look at art made by other people, you see what you need to see in it.
ALBERTO GIACOMETTI

Art Need People See Yourself
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
ALBERTO GIACOMETTI

Art Himself Measurement Obsession Subject Work
The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI

Escape Face Human Oneself Strange Unknown
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
ALBERTO GIACOMETTI

End Failure Learning Myself See Try
All the sculptures of today, like those of the past, will end one day in pieces… So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
ALBERTO GIACOMETTI

Care Fashion Life Oneself Past Pieces Work
I paint and sculpt to get a grip on reality… to protect myself.
ALBERTO GIACOMETTI

Myself Paint Protection Reality Sculpture
The older I grow, the more I find myself alone.
ALBERTO GIACOMETTI

Alone Finding Growth Myself Old
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
ALBERTO GIACOMETTI

Experience Failure Feeling Give Up Lost Moments Open Progress Success Yourself
I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
ALBERTO GIACOMETTI

Drawing Myself Time Understand
Only reality interests me now and I know I could spend the rest of my life in copying a chair.
ALBERTO GIACOMETTI

Chair Copy Interest Myself Reality

All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.

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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.

Related Topics

Popular Authors

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