I had the honor of speaking with Asimov.
ALAN PARSONSI was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines.
More Alan Parsons Quotes
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If I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.
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It was a real education, going right from the consumer end to the record factory.
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In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates.
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I started in a research lab for TV cameras, then I worked at a tape duplication facility.
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Audiophiles use your music to listen to their equipment.
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In France, you can sell a lot, but nobody outside of France ever hears of it.
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There is a certain grandeur.
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Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.
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The album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.
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The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album,
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Audiophiles don’t use their equipment to listen to your music.
ALAN PARSONS -
I try to find a way that the other guy hasn’t thought of using a sound or a sample.
ALAN PARSONS -
Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!
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The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered.
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We realized that, Oh my God, we’re actually playing in THE Kremlin!.
ALAN PARSONS