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So I wanted to create soundscapes that are evocative of places that only exist in your head – that’s where the fun, psychedelic stuff happens anyway.

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I remember a time when I would hear a band and then want to hear everything that sounded like it;
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I think it’s more about trying to just focus exclusively on writing music and making that a viable, sustainable lifestyle.
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I find it so funny that for the first time in history, people have access to this great equalizer in the Internet, which grants everyone the same knowledge base.
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I subscribe to the idea that personality is like a muscle.
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I have this eerie feeling that by the time I’m 33, reality will not exist in the same plane as it did before.
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You should always choose your associations wisely because people create impressions around the music.
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Because anybody can find their fan base through the Internet.
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You start reverting back to that state of mind where you’re having conversations with yourself, and that’s where the weirdest and most honest ideas come from.
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“It’s not where you got it from, it’s where you take it.” To me, that’s just an integral part of why I even bother making music.
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You can’t always just put color filters in 80s aerobic videos or take stuff from public-access and look at it in this very ironic, self-conscious way. That only takes you so far.
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The way you phrase it might change, but it will always continue to happen, and there’s something really charming and calming about that.
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Like the idea that every night might be the night before the world ends.
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it opens opportunities up for talented people along with people like Rebecca Black.
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But all you can do is ignore the annoying hum of the machine and focus on making art that makes you excited to be alive.
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I would’ve done when I was 16, like texting a really awkward “I like you” message to someone.
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But it’s not anything like what we envisioned it to be. It’s almost like there’s too much choice.
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