That has been the great achievement of our age: to so thoroughly flood the planet with megabits that every image and fact has become a digitized disembodied nothingness. With magnificent determination,
ALAN LIGHTMANI have a family and you know very well the time that that takes. That’s good time. I have a couple hobbies. I’m a runner and play tennis. In the summer my family and I uproot ourselves and go live in Maine for the summer.
More Alan Lightman Quotes
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I have also been fascinated for a long time with the intersection of science and religion.
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I have a number of vague ideas where I just have the core or kernel of the idea. I feel like I need some time for my mind to fill up again. I feel empty. Right now.
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The time-deaf are unable to speak what they know. For speech needs a sequence of words, spoken in time.
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You say, “Something important really happened here. I really had hold of something I was visited by the muse.” And that’s enough to make you continue the months and years to finish the whole book.
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It is a world of impulse. It is a world of sincerity.
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In restaurants, walking, they have cell phones clamped to their to heads.
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It is true that the arts at MIT don’t have the same amount of funding or same status as the sciences or engineering.
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I oppose any belief that contradicts experimental evidence as determined by the methods of science.
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While people brood, time skips ahead without looking back.
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It’s exciting having a student who is not used to expressing their emotional side and bringing that out in them and see that developing and helping to nurture that.
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The Book of Telling tells of a woman’s journey to uncover the secret life of her father and to find herself in the process.
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In the coffee houses, in the government buildings, in boats of Lake Geneva, people look at their watches and take refuge in time.
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Such is the cost of immortality. No person is whole. No person is free. Over time, some have determined that the only way to live is to die. In death, a man or a woman is free of the weight of the past [and the future].
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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The first is as rigid and metallic as a massive pendulum of iron that swings back and forth, back and forth, back and forth.
ALAN LIGHTMAN