A good book changes for you every few years because you are in a different place in your own life. That’s a sign of a good novel.
ALAN LIGHTMANAs both a scientist and a humanist myself, I have struggled to understand different claims to knowledge, and I have eventually come to a formulation of the kind of religious belief that would, in my view, be compatible with science.
More Alan Lightman Quotes
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We feel such a strong connection to nature. But the relationship between nature and us is one-sided. There is no reciprocity. There is no mind on the other side of the wall.
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I reached for some principle that had been subconscious in me and lifted it into consciousness.
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It’s a flow of chemicals and electrical currents, and it developed over millions of years in the process of evolution to aid in the procreation of the species.
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Authenticity and sincerity were the most important unifying principles of all these apparently different essays.
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We have a house on a very tiny island in Maine. Which is really my spiritual center. We’ve been going there for ten years, and it has no ferry service, no bridges, no telephone service. It’s really isolated.
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My second novel, “Good Benito”, was not finished. I wished that I had spent another year with it.
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Although technology is proceeding at a dizzying pace, I believe that the human mind will always have control of itself.
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Like the air we breathe or like the passage of time, is central to our existence as intelligent beings.
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As long as God does not intervene in the contemporary universe in such a way as to violate physical laws, science has no way of knowing whether God exists or not.
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I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.
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I am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics.
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In a world without future, each moment is the end of the world.
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Faith is the ability to honor stillness at some moments, and at others to ride the passion and exuberance.
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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Just didn’t know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out…
ALAN LIGHTMAN