What sense is there in continuing when one has seen the future?
ALAN LIGHTMANIn restaurants, walking, they have cell phones clamped to their to heads.
More Alan Lightman Quotes
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Originality is also very important to a writer. And all of the writers I’ve mentioned, of course, are original, but it’s important to me that every book that I do be really a completely fresh and new look at the world.
ALAN LIGHTMAN -
Such is the cost of immortality. No person is whole. No person is free. Over time, some have determined that the only way to live is to die. In death, a man or a woman is free of the weight of the past [and the future].
ALAN LIGHTMAN -
They would rather have an eternity of contentment, even if that eternity were fixed and frozen, like a butterfly mounted in a case.
ALAN LIGHTMAN -
I have also been fascinated for a long time with the intersection of science and religion.
ALAN LIGHTMAN -
I value my correspondence with writers…
ALAN LIGHTMAN -
Events, once happened, lose reality, alter with a glance, a storm, a night. In time, the past never happened. But who could know? Who could know that the past is not as solid as this instant.
ALAN LIGHTMAN -
Time is a rigid, bonelike structure, extending infinitely ahead and behind, fossilizing the future as well as the past.
ALAN LIGHTMAN -
Writers read essays and serious thinkers and serious readers… that is a small population.
ALAN LIGHTMAN -
Each person knows that somewhere is recorded the moment she was born, the moment she took her first step, the moment of her first passion, the moment she said goodbye to her parents.
ALAN LIGHTMAN -
I picked such seemingly disparate essays, I thought it was important to say what was the guiding principle in the selection rather than focus on any one essay.
ALAN LIGHTMAN -
Every essay – the subject matter of every essay – is ultimately about the essayist; him or herself. That ultimately, every essayist is writing about his or her view of the world.
ALAN LIGHTMAN -
It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
ALAN LIGHTMAN -
You’ve made something grand, but it will be grander if it has feeling and beauty and harmony.
ALAN LIGHTMAN -
That’s an exciting thing. In a class of fifteen there are usually two very good writers, equal to good student writers anywhere in the country. Those two make the class wonderful.
ALAN LIGHTMAN -
I would do something and let it sit for three months… just brood about and decide I needed to slightly change something here or there. Or one character wasn’t quite right. But I think everybody goes through this.
ALAN LIGHTMAN