Is it possible for a person to love without wanting love back? Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing by rain?
ALAN LIGHTMANI am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics.
More Alan Lightman Quotes
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The exploding star of A.D. 1054, the Crab Nebula, was sighted and documented by the Chinese, but nowhere mentioned in the West, where the Aristotelian notion of the immortality of stars still held sway.
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The mother and father osprey stay together. It’s a monogamous relationship. And every summer they raise a new brood of children.
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Human beings consider themselves satisfied only compared to some other condition.
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A world in which time is absolute is a world of consolation. For while the movements of people are unpredictable, the movement of time is predictable.
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I reached for some principle that had been subconscious in me and lifted it into consciousness.
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I oppose any belief that contradicts experimental evidence as determined by the methods of science.
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The tragedy of this world is that everyone is alone. For a life in the past cannot be shared with the present. Each person who gets stuck in time gets stuck alone.
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Everyone shares the same fate.
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Just didn’t know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out…
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I have also been fascinated for a long time with the intersection of science and religion.
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Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing of rain?
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The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
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Each future moves in a different direction of time. Each future is real.
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The tragedy of this world is that no one is happy, whether stuck in atime of pain or of joy.
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Unfortunately, public debates do not have much room for subtlety. The audience wants a quick thrust at your opponent, not a slow and convoluted series of moves.
ALAN LIGHTMAN