Is it possible for a person to love without wanting love back? Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing by rain?
ALAN LIGHTMANI love staying in written correspondence with some writers. That’s enough for me.
More Alan Lightman Quotes
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I appreciate the idea of the individual person battling the society – which is true in all his books.
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Just as an object may move in three perpendicular directions, corresponding to horizontal, vertical, and longitudinal, so an object may participate in three perpendicular futures.
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The history of science can be viewed as the recasting of phenomena that were once thought to be accidents as phenomena that can be understood in terms of fundamental causes and principles.
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Some make light of decisions, arguing that all possible decisions will occur. In such a world, how could one be responsible for his actions?
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As long as God does not intervene in the contemporary universe in such a way as to violate physical laws, science has no way of knowing whether God exists or not.
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Originality is also very important to a writer. And all of the writers I’ve mentioned, of course, are original, but it’s important to me that every book that I do be really a completely fresh and new look at the world.
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Children grow rapidly, forget the centuries-long embrace from their parents, which to them lasted but seconds. Children become adults, live far from their parents, live their own houses, learn ways of their own, suffer pain, grow old.
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past.
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I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie.
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I think it is always a long shot getting a book made into a film.
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I would do something and let it sit for three months… just brood about and decide I needed to slightly change something here or there. Or one character wasn’t quite right. But I think everybody goes through this.
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Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing of rain?
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What sense is there in continuing when one has seen the future?
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“The Diagnosis” had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes.
ALAN LIGHTMAN