I reached for some principle that had been subconscious in me and lifted it into consciousness.
ALAN LIGHTMANI go to live in Maine for the summer. Without computer, and without the telephone service we are mercifully without the faxes and e-mails.
More Alan Lightman Quotes
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At every point of decision, the world splits into three worlds, each with the same people, but different fates for those people. In time, there are an infinity of worlds.
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The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences.
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I wouldn’t overall say that “The Diagnosis” is a funny book. I would say that it has comic moments. It’s a modern tragedy.
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We’re plugged in 24 hours a day now. We’re all part of one big machine, whether we are conscious of that or not.
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You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
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They would rather have an eternity of contentment, even if that eternity were fixed and frozen, like a butterfly mounted in a case.
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Time is visible in all places. Clock towers, wristwatches, church bells divide years into months, months into days, days into hours, hours into seconds, each increment of time marching after the other in perfect succession.
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A novel has to be an emotional experience, a trip of the imagination, and because science has raised so many issues that concern and affect humans, it’s a good starting place for me.
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I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie.
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We try to connect. We try to find truth. We dream and we hope. And underneath all of these strivings, we are haunted by the suspicion that what we see and understand of the world is only a tiny piece of the whole.
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I have also been fascinated for a long time with the intersection of science and religion.
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Some make light of decisions, arguing that all possible decisions will occur. In such a world, how could one be responsible for his actions?
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But what is the past? Could it be, the firmness of the past is just illusion? Could the past be a kaleidoscope, a pattern of images that shift with each disturbance of a sudden breeze, a laugh, a thought? And if the shift is everywhere, how would we know?
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Every essay – the subject matter of every essay – is ultimately about the essayist; him or herself. That ultimately, every essayist is writing about his or her view of the world.
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It’s not necessarily a large number of people that affect the culture. You don’t count the number of influential voices, you weigh them. A hundred people can affect the culture.
ALAN LIGHTMAN