I picked such seemingly disparate essays, I thought it was important to say what was the guiding principle in the selection rather than focus on any one essay.
ALAN LIGHTMANAnother strand of my writing is the importance of the idea.
More Alan Lightman Quotes
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We have a house on a very tiny island in Maine. Which is really my spiritual center. We’ve been going there for ten years, and it has no ferry service, no bridges, no telephone service. It’s really isolated.
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It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
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Time is a rigid, bonelike structure, extending infinitely ahead and behind, fossilizing the future as well as the past.
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As I understand it, a universe is a … well, a totality. A universe is everything that is, as far as the inside of the thing.
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As human beings, don’t we need questions without answers as well as questions with answers, questions that we might someday answer and questions that we can never answer?
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Another strand of my writing is the importance of the idea.
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I consider myself an essayist and a fiction writer. In the essays, I certainly have been influenced by some of the leading science essayists. Like Loren Eiseley, Stephen Jay Gould, Lewis Thomas.
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For while the movements of people are unpredictable, the movement of time is predictable. While people can be doubted, time cannot be doubted. While people brood, time skips ahead without looking back.
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If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing.
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If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.
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If you told a story that was all darkness, it wouldn’t be real.
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Music is, of course, a universal emotional experience, cutting across cultures and languages. I studied piano for ten years as a child and consider that experience one of the most valuable in my life.
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That has been the great achievement of our age: to so thoroughly flood the planet with megabits that every image and fact has become a digitized disembodied nothingness. With magnificent determination,
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I am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics.
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The Book of Telling tells of a woman’s journey to uncover the secret life of her father and to find herself in the process.
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Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world?
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You’ve made something grand, but it will be grander if it has feeling and beauty and harmony.
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And at the place where time stands still, one sees lovers kissing in the shadows of buildings, in a frozen embrace that will never let go.
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Where are the one billion people who lived and breathed in the year 1800, only two short centuries ago?
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We often do not see what we do not expect to see.
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And beyond any particular clock, a vast scaffold of time, stretching across the universe, lays down the law of time equally for all.
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Sadness is no more than a bit of acid transfixed in the cerebellum.
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I would do something and let it sit for three months… just brood about and decide I needed to slightly change something here or there. Or one character wasn’t quite right. But I think everybody goes through this.
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The tragedy of this world is that no one is happy, whether stuck in atime of pain or of joy.
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I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together.
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Just as an object may move in three perpendicular directions, corresponding to horizontal, vertical, and longitudinal, so an object may participate in three perpendicular futures.
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