I have no opposition at all to technology. I think technology is a wonderful thing that has to be used thoughtfully, and we can’t just assume that every bit of new technology improvesthe quality of life; it’s really in how the technology is used.
That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don’t think it could happen with a long book.
Music is, of course, a universal emotional experience, cutting across cultures and languages. I studied piano for ten years as a child and consider that experience one of the most valuable in my life.
We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
In a world without future, each laugh is the last laugh. In a world without future, beyond the present lies nothingness, and people cling to the present as if hanging from a cliff.
Events, once happened, lose reality, alter with a glance, a storm, a night. In time, the past never happened. But who could know? Who could know that the past is not as solid as this instant.
The loved one will never take his arms from where they are now, will never give back the bracelet of memories, will never journey afar from his lover, will never place himself in danger of self-sacrifice.
It’s not necessarily a large number of people that affect the culture. You don’t count the number of influential voices, you weigh them. A hundred people can affect the culture.
I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.
What I am very disturbed about is this trend of everything happening faster and faster and faster and there being more and more general noise in the world, and less and less time for quiet reflection on who we are, and where we’re going.
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