And beyond any particular clock, a vast scaffold of time, stretching across the universe, lays down the law of time equally for all.
ALAN LIGHTMANAnd since the human mind has a degree of infinity and imagination unlikely to be matched by a machine for a very, very long time, I don’t think that we will become the machines of the machines.
More Alan Lightman Quotes
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Rather, each act is an island in time, to be judged on its own. … It is a world of impulse. It is a world of sincerity.
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I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie.
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The Book of Telling tells of a woman’s journey to uncover the secret life of her father and to find herself in the process.
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One cannot walk down an avenue, converse with a friend, enter a building, browse beneath the sandstone arches of an old arcade without meeting an instrument of time.
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I have always loved magic realism as a form of writing.
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Don’t you feel something magical when you’re in love?… I do, I certainly do … but I think that feeling of magic is a hardwired psychological response. It’s a chemical thing in the brain.
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That’s an exciting thing. In a class of fifteen there are usually two very good writers, equal to good student writers anywhere in the country. Those two make the class wonderful.
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We try to connect. We try to find truth. We dream and we hope. And underneath all of these strivings, we are haunted by the suspicion that what we see and understand of the world is only a tiny piece of the whole.
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Another strand of my writing is the importance of the idea.
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It is true that the arts at MIT don’t have the same amount of funding or same status as the sciences or engineering.
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The first is as rigid and metallic as a massive pendulum of iron that swings back and forth, back and forth, back and forth.
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“The Diagnosis” had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes.
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In restaurants, walking, they have cell phones clamped to their to heads.
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In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective.
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One metaphor for how we are living is that you see so may people with cell phones.
ALAN LIGHTMAN