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I’ve hardly had an avant-garde career.

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So that finally the film does take on a texture and is not just simplistic communication.
ALAN J. PAKULA

Communication Film Final Simplistic Take Texture
They don’t realize that the actor is looking at their faces, anyway.
ALAN J. PAKULA

Actor Anyway Face Look Realize
I like trying to do things which work on many levels, because I think it is terribly important to give an audience a lot of things they might not get as well as those they will.
ALAN J. PAKULA

Audience Important Level Lot Many Terrible Thing Try Well Work
I’ve hardly had an avant-garde career.
ALAN J. PAKULA

Career Hardly
If you’re going to make a film, you have to try to make sure it comes out of a childlike passion, as if you’re doing it for the first time.
ALAN J. PAKULA

Come First Go Make Sure Time
I am oblique; I think that has to do with my own nature.
ALAN J. PAKULA

Nature Oblique Own Think
Directors have a tendency to use their hands like orchestra conductors.
ALAN J. PAKULA

Conductor Director Hand Orchestra Tendency Use
Some actors come to the set ready to do their parts a certain way.
ALAN J. PAKULA

Actors Certain Way

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