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Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

Al Pacino

Sometimes the only way you can get an audience is at an audition.
AL PACINO

Audition Only Sometimes Way
You’ve got to think of things as an opportunity. An audition’s an opportunity to have an audience.
AL PACINO

Audition Got Opportunity Thing Think
What he does with it, that’s something else, but he’s got it all. The talent, the instrument is there, that’s why he has endured.
AL PACINO

Do Else Endure Got Instrument Something Talent
[Oscar Wilde’s Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that’s why I guess it’s semi-autobiographical.
AL PACINO

Autobiographical Guess House Kid Oscar Sense Stuff
One of the things that made me want to be an actor more than ever was seeing a Chekhov play, “The Sea Gull,” when was 14 in the Bronx.
AL PACINO

Actor Ever Gull Made One Play Sea Thing Want
I’d probably have the same pause if you asked me what my strengths are. Maybe they’re the same thing.
AL PACINO

Ask Pause Probably Same Strength Thing
When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I’m going to do a big scene that’s dramatic and takes a lot out of you, the better off I am when I come to it.
AL PACINO

Actor All Day Found Keep Later Lighter Serious Try Younger
I come from the South Bronx – a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.
AL PACINO

Descendant Grew Integrate Life Melt MIxed Neighbourhood Pot Really Up
Jamie Foxx does a good rendition of me. It’s a real gift, mimicry of that kind, the tonal thing. It’s sort of like having a talent for playing an instrument.
AL PACINO

Doe Gift Good Instrument Kind Long Mimicry Person Real Redeition Talent Thing Tonal
I’m always on a red carpet . . . the other day I thought, this ain’t bad. You can meet people on it.
AL PACINO

Always Bad Carpet Day Meet Other People Red Thought
Sometimes you feel critics are wrong all the time, but I don ‘t take objection to it, because that’s the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.
AL PACINO

All Critic Fel Kind Objection Right Sometimes Time Way Wrong
All due respect, and trying to be as modest as I can be: I am a dancer.
AL PACINO

Dancer Due Respect Try Modest
I’m more comfortable in a play. In film, there’s always a certain sense of control, of holding back.
AL PACINO

Back Certain Comfortable Control Film Hold More Play Sense
When [Julia Marie Pacino] was 5 or 6 years old, we were in an Italian restaurant, and these people came by the table and they would start talking to me, asking me for my autograph and she just went under the table.
AL PACINO

Ask Autograph Country Old People Restaurant Table Talk Under Went Year
I’ve always been a bit squeamish when it came to that kind of thing.
AL PACINO

Always Been Bit Came Kind Squeamish Thing
I’m expressing something that I feel is a way to exercise my talent and help communicate a role as a human being in a movie, I will do that.
AL PACINO

Being Communicate Exercise Express Feel Help Human Movie Something

Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

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Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

Related Topics

Popular Authors

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