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Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.

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Day Every Gig Old Pretend Six Song Ten Thirteen Write Year

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The very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
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And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
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The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
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Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
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Tom Wilson had produced jazz records and was a Harvard educated.
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I don’t care, turn the organ up, and that’s really how I became an organ player.
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Every now and then we could steal somebody else’s stuff.
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The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
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Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
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Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
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So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
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And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
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