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Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.

Al Kooper

The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
AL KOOPER

Celebrity Disorganized Invite Least Like Mean Producer Roll Say Session Stone Watch
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER

Guy Man Organ Player Producer Say Turn
Every now and then we could steal somebody else’s stuff.
AL KOOPER

Now Somebody Steal Stuff Then
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER

Album Differ Different Entirely Highway Incorrect Recor
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPER

After Country Politics Record Roll Stone Think
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER

Around Believe Center Country Everything Just Live
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER

Bob Eloquent Music Musically Primitive Somebody Term Use User
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER

Afternoon Age Career Finish Guitar Just My One
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER

Educate Jazz Produce Record University
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER

Cock Cubic Every Fake Joke Morning Paino Place Upright Wall White Work
So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPER

Band Chord One Play Quick Unbeat
In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER

Activity Alley Building Country Hib Music Pan Tin
Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPER

Chronicle Compiler Event Feel Intelligent Many Participate Research Room So Unlike
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER

Ambition Bob End Fact Play Session Sheer Through
Producing Bob Dylan was pretty much a spectator sport.
AL KOOPER

Bob Dylan Much Pretty Produce Sport
Finally a breath of fresh words founded in hardcore, intelligent research.
AL KOOPER

Breath Finally Found Fresh Hardcore Intelligent Research Word

Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.

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Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.

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Popular Authors

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