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At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.

Al Kooper

If you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPER

Back Different Good Interact Job Let Let Go Step
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER

Actual Came Door Little Lock Out Outside Slate Wall Write
I mean just out and out crooks. And the next generation had a little more finesse. But I mean those first wave of people, you know, definitely would take all your money, no doubt about it.
AL KOOPER

Crook Definitely Doubt Fitness Generation Little Money More Out People Take Wave
Every now and then we could steal somebody else’s stuff.
AL KOOPER

Now Somebody Steal Stuff Then
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER

Album Differ Different Entirely Highway Incorrect Recor
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER

Bob Eloquent Music Musically Primitive Somebody Term Use User
Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPER

Day Every Gig Old Pretend Six Song Ten Thirteen Write Year
The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER

Crook Doubt First Generation Mean Much People Pretty
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER

Ambition Bob End Fact Play Session Sheer Through
Producing Bob Dylan was pretty much a spectator sport.
AL KOOPER

Bob Dylan Much Pretty Produce Sport
At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.
AL KOOPER

Actual During End Like Playback Rolling Stone Take Thing
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER

Cock Cubic Every Fake Joke Morning Paino Place Upright Wall White Work
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER

Guy Man Organ Player Producer Say Turn
Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPER

Chronicle Compiler Event Feel Intelligent Many Participate Research Room So Unlike
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER

Equivalent Excellent Gospel Influence Jewish Marriage Mostly Music Over Play Twist
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER

Educate Jazz Produce Record University

At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.

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At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.

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