The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPERI believe Irving Berlin was there, and uh, and everything just centered around there.
More Al Kooper Quotes
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Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER -
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER -
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER -
I liked being challenged by music. It’s good for me.
AL KOOPER -
If you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPER -
The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.
AL KOOPER -
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPER -
I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the ’60s.
AL KOOPER -
In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER -
Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPER -
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER -
Finally a breath of fresh words founded in hardcore, intelligent research.
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Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPER -
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER -
The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER