I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPERI believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPERThe “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPERIn the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPERStill being ambitious to want to play on the record, I was a mediocre keyboard player. And uh, I seized the opportunity and played the organ.
AL KOOPERTom Wilson had produced jazz records and was a Harvard educated.
AL KOOPERMike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPERThe first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPERAnd he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPERI think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPERIf you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPERBob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPEROnly through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPERProducing Bob Dylan was pretty much a spectator sport.
AL KOOPERThe place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPERFinally a breath of fresh words founded in hardcore, intelligent research.
AL KOOPERThe very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
AL KOOPER