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The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.

Al Kooper

The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER

Crook Doubt First Generation Mean Much People Pretty
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER

Afternoon Age Career Finish Guitar Just My One
I don’t care, turn the organ up, and that’s really how I became an organ player.
AL KOOPER

Became Care Organ Player Really Turn
Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPER

Chronicle Compiler Event Feel Intelligent Many Participate Research Room So Unlike
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER

Guy Man Organ Player Producer Say Turn
So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPER

Band Chord One Play Quick Unbeat
Still being ambitious to want to play on the record, I was a mediocre keyboard player. And uh, I seized the opportunity and played the organ.
AL KOOPER

Ambitious Keyboard Mediocre Opportunity Organ Play Player Record Seize Still
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER

Educate Jazz Produce Record University
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER

Cock Cubic Every Fake Joke Morning Paino Place Upright Wall White Work
I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the ’60s.
AL KOOPER

Broadway Business Everything First Happen Introduce Music Reality Start
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER

Equivalent Excellent Gospel Influence Jewish Marriage Mostly Music Over Play Twist
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER

Ambition Bob End Fact Play Session Sheer Through
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPER

Before Celebrity Down Hear never Person Play Start Went White
I liked being challenged by music. It’s good for me.
AL KOOPER

Challenge For God Like Me Music
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER

Bob Eloquent Music Musically Primitive Somebody Term Use User
Every day from 10 to 6, we’d go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
AL KOOPER

Day Every Gig Old Pretend Six Song Ten Thirteen Write Year

The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.

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The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the “Like A Rolling Stone” session I was invited by the producer to watch.

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