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My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.

Al Kooper

In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER

Activity Alley Building Country Hib Music Pan Tin
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after “Like A Rolling Stone”.
AL KOOPER

After Country Politics Record Roll Stone Think
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER

Equivalent Excellent Gospel Influence Jewish Marriage Mostly Music Over Play Twist
At the end of the playback of the take of “Like A Rolling Stone”, or actually during the thing.
AL KOOPER

Actual During End Like Playback Rolling Stone Take Thing
I believe Irving Berlin was there, and uh, and everything just centered around there.
AL KOOPER

Around Believe Center Country Everything Just Live
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPER

Before Celebrity Down Hear never Person Play Start Went White
The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER

Crook Doubt First Generation Mean Much People Pretty
I don’t care, turn the organ up, and that’s really how I became an organ player.
AL KOOPER

Became Care Organ Player Really Turn
I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the ’60s.
AL KOOPER

Broadway Business Everything First Happen Introduce Music Reality Start
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER

Album Differ Different Entirely Highway Incorrect Recor
I liked being challenged by music. It’s good for me.
AL KOOPER

Challenge For God Like Me Music
And a little slate that came out of the wall that you could actually write on. And a door that locked from the outside.
AL KOOPER

Actual Came Door Little Lock Out Outside Slate Wall Write
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER

Ambition Bob End Fact Play Session Sheer Through
So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPER

Band Chord One Play Quick Unbeat
The very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
AL KOOPER

Funny Thing Instrument Minute Play Read Rolling Six Song Stone Unfamiliar
The place that I worked I used to joke about it. There was a, every morning at 10:30 I’d come into work and I’d go into this cubicle that had a little upright piano and fake white cork bricks on the wall.
AL KOOPER

Cock Cubic Every Fake Joke Morning Paino Place Upright Wall White Work

My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.

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My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.

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Popular Authors

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