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The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,

Al Kooper

In the, uh, ’30s and ’40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City.
AL KOOPER

Activity Alley Building Country Hib Music Pan Tin
The very funny thing about “Like A Rolling Stone” is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument.
AL KOOPER

Funny Thing Instrument Minute Play Read Rolling Six Song Stone Unfamiliar
Musically Bob [Dylan] is a primitive. He’s not a Gershwin, or somebody that uses eloquent music terms.
AL KOOPER

Bob Eloquent Music Musically Primitive Somebody Term Use User
Tom Wilson had produced jazz records and was a Harvard educated.
AL KOOPER

Educate Jazz Produce Record University
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
AL KOOPER

Ambition Bob End Fact Play Session Sheer Through
The “Highway 61” album [of Bob Dylan] was produced by Bob Johnston if I’m not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson.
AL KOOPER

Album Differ Different Entirely Highway Incorrect Recor
Every now and then we could steal somebody else’s stuff.
AL KOOPER

Now Somebody Steal Stuff Then
If you’d done a good job you’d just step back and let all these different chemistries interact and let it go.
AL KOOPER

Back Different Good Interact Job Let Let Go Step
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
AL KOOPER

Equivalent Excellent Gospel Influence Jewish Marriage Mostly Music Over Play Twist
And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
AL KOOPER

Afternoon Age Career Finish Guitar Just My One
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before.
AL KOOPER

Before Celebrity Down Hear never Person Play Start Went White
The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,
AL KOOPER

Crook Doubt First Generation Mean Much People Pretty
Unlike so many Dylan-writer-wannabes and phony ‘encyclopedia’ compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in.
AL KOOPER

Chronicle Compiler Event Feel Intelligent Many Participate Research Room So Unlike
I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the ’60s.
AL KOOPER

Broadway Business Everything First Happen Introduce Music Reality Start
Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy’s not an organ player. And Dylan said.
AL KOOPER

Guy Man Organ Player Producer Say Turn
So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
AL KOOPER

Band Chord One Play Quick Unbeat

The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,

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The first generation from the ’50s that were in 1650 [Broadway] were pretty much all crooks,

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