In [The New Poetry] I had attacked the British poets’ nervous preference for gentility above all else, and their avoidance of the uncomfortable, destructive truths both of the inner life and of the present time.
Mass democracy, mass morality and the mass media thrive independently of the individual, who joins them only at the cost of at least a partial perversion of his instincts and insights.
Seemed merely a temporary halt on my steady descent through layer after layer of depression, like an elevator stopping for a moment on the way down to the basement.
In the possibility of control over what seems essentially uncontrollable, in the coherence of the inchoate, and in its ability to create its own values.
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