Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer,
AKHIL SHARMANovels should be judged rigorously. Either a book works or it doesn’t. The fact that something is true in the real world should not lend authority to it in fiction.
More Akhil Sharma Quotes
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Intern will resonate not only with doctors, but with anyone who has struggled with the grand question ‘What should I do with my life?’ In a voice of profound honesty and intelligence,
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
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We all become afraid. We all look at others and think these other people are more fortunate than us.
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As a teacher, I can help my students see what is working and not working. I can show them certain solutions.
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Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
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Why do people always think hurting others is all right, as long as they hurt themselves as well?
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they’ll forget.
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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
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It is hard to write about physically difficult things without causing the reader to disengage.
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When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
AKHIL SHARMA