While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
AKHIL SHARMAErnest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer,
More Akhil Sharma Quotes
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My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
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Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
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For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
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As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
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It is hard to write about physically difficult things without causing the reader to disengage.
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The babies have old souls and the old souls have to shrink to become little babies.
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
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It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
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Exposition suggests a great trust in the reader, and this expression of trust makes a book feel tender.
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Even within my stories, people hold opposing views.
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Sandeep Jauhar gives us an insider’s look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
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Novels should be judged rigorously. Either a book works or it doesn’t. The fact that something is true in the real world should not lend authority to it in fiction.
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Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer,
AKHIL SHARMA