There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
AKHIL SHARMAMoney is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
More Akhil Sharma Quotes
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It’s easy when you grow up in fear to act out of fear. I don’t want to embrace that fear; I prefer to be kind.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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We all become afraid. We all look at others and think these other people are more fortunate than us.
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When someone gets a success, and we, too, have done good work and sometimes even better work than the person who has just triumphed, we wonder: Why did success pass me by?
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Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
AKHIL SHARMA -
As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
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The monsoon is such a dominant part of Indian life that it is hard to overstate its importance.
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I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
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The babies have old souls and the old souls have to shrink to become little babies.
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I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
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Seven years into writing a novel, I started to lose my mind.
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It is hard to write about physically difficult things without causing the reader to disengage.
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The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they’ll forget.
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It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
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To me exposition always contains tenderness.
AKHIL SHARMA