The babies have old souls and the old souls have to shrink to become little babies.
AKHIL SHARMAMoney is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
More Akhil Sharma Quotes
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Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female.
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People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
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I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
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Novels should be judged rigorously. Either a book works or it doesn’t. The fact that something is true in the real world should not lend authority to it in fiction.
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To me exposition always contains tenderness.
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Exposition suggests a great trust in the reader, and this expression of trust makes a book feel tender.
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I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
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One’s life completely changes based on the rain. After the monsoon, because the dust settles, one can see further and so it feels like one’s eyesight has improved or that one is living in a different country where there is more light.
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Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer,
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The little babies are missing their families from their past lives.
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It’s easy when you grow up in fear to act out of fear. I don’t want to embrace that fear; I prefer to be kind.
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Seven years into writing a novel, I started to lose my mind.
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Why do people always think hurting others is all right, as long as they hurt themselves as well?
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I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
AKHIL SHARMA