Even within my stories, people hold opposing views.
AKHIL SHARMAI tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships.
More Akhil Sharma Quotes
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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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To me exposition always contains tenderness.
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My parents are deeply pious Hindus.
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As a human being living one’s life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.
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Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
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Intern will resonate not only with doctors, but with anyone who has struggled with the grand question ‘What should I do with my life?’ In a voice of profound honesty and intelligence,
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I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
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For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
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For me, a memoir is nonfiction and nonfiction has to be absolutely true.
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Sandeep Jauhar gives us an insider’s look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.
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It’s easy when you grow up in fear to act out of fear. I don’t want to embrace that fear; I prefer to be kind.
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I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
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There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
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While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
AKHIL SHARMA