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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.

Akhil Sharma

I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
AKHIL SHARMA

Book Develop Effect Guide Large Memory Model Muscle Require Role
It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
AKHIL SHARMA

Able Child Children Create Enough First Information Legible Narrator
The little babies are missing their families from their past lives.
AKHIL SHARMA

Baby Family Life Memories Missing Past
My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
AKHIL SHARMA

Accomplish Approach Aware Birthday Come Constant Gone Little Mange
We all become afraid. We all look at others and think these other people are more fortunate than us.
AKHIL SHARMA

Afraid Become Fortunate Other People Think
I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
AKHIL SHARMA

Attribute Based Character Composite Dialogue Memories Note Simply Spoken Taken Word
While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
AKHIL SHARMA

Dramatixed Emotional Experience Guarantee Proving Reader Scene Sophisticated Universal Way
The babies have old souls and the old souls have to shrink to become little babies.
AKHIL SHARMA

Baby Become Little Old Soul Shrink
For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
AKHIL SHARMA

Character Come Figure Humor Innocence Opportunity Trying
For me, a memoir is nonfiction and nonfiction has to be absolutely true.
AKHIL SHARMA

Absolute True
The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they’ll forget.
AKHIL SHARMA

Away Cry Everything Forget Loose Lost Memory Slide Tear
Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female.
AKHIL SHARMA

Assume Community Female Many Person Reader Same Sophisticated
There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
AKHIL SHARMA

Aspect Emotional Feeling Fiction How Inadequacy Money Security Unreal
If anybody reads an Indian newspaper, all these things are obvious, and so I am not breaking news. All I am doing is representing my community as it actually is.
AKHIL SHARMA

Abortion Breaking Community News Newspaper Obvious People Read
Novels should be judged rigorously. Either a book works or it doesn’t. The fact that something is true in the real world should not lend authority to it in fiction.
AKHIL SHARMA

Authority Book Fact Fiction Novel Real Something True World Writing
Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
AKHIL SHARMA

Certainly Detail Else Productive Someone Spending Tend Thinking Unique

I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.

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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.

Related Topics

Popular Authors

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