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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.

Akhil Sharma

Why do people always think hurting others is all right, as long as they hurt themselves as well?
AKHIL SHARMA

Always Hurt Long Themselves Thinking Well
It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
AKHIL SHARMA

Able Child Children Create Enough First Information Legible Narrator
I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
AKHIL SHARMA

Important Mean Narrative Need Sense Thing Writing
People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides.
AKHIL SHARMA

Describe Need Often People Quick Shorthand Thinking Use
Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
AKHIL SHARMA

Certainly Detail Different How Life Someone Spend Think Thinking Unique
Exposition suggests a great trust in the reader, and this expression of trust makes a book feel tender.
AKHIL SHARMA

Book Exposition Expression Feel Reader Suggest Tender Trust
My parents are deeply pious Hindus.
AKHIL SHARMA

Deeply Hindus Parent Pious
Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money.
AKHIL SHARMA

Character Info Money Moving Part Real Restaurant World
For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don’t try to be funny, but am relieved when an opportunity comes up for humor.
AKHIL SHARMA

Character Come Figure Humor Innocence Opportunity Trying
My thirty-seventh birthday had just come and gone, the end of 2008 was approaching, and I was constantly aware of how little I had managed to accomplish.
AKHIL SHARMA

Accomplish Approach Aware Birthday Come Constant Gone Little Mange
I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
AKHIL SHARMA

Experience Good Less People Plain Realized Sentence Stretch Thing
I can’t have composite characters. I can’t attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
AKHIL SHARMA

Attribute Based Character Composite Dialogue Memories Note Simply Spoken Taken Word
Sandeep Jauhar gives us an insider’s look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.
AKHIL SHARMA

Account Challenge Dramatic Look Medical Person Profession Psychological
There are also so many emotional aspects to money – feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
AKHIL SHARMA

Aspect Emotional Feeling Fiction How Inadequacy Money Security Unreal
The monsoon is such a dominant part of Indian life that it is hard to overstate its importance.
AKHIL SHARMA

Country Different Dominant Importance Indian Life Monsoon Rain Such
Also, I have to assume that readers are sophisticated enough to know that not every person in a community is the same, and so there are many people who would not force an abortion just because a fetus is female.
AKHIL SHARMA

Assume Community Female Many Person Reader Same Sophisticated

I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.

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I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.

Related Topics

Popular Authors

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