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When you do a play, you have all this time to rehearse and grow into the character. In television, even though you’re waiting and waiting and waiting,

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I might make a specific choice for myself and then in the next episode the writers might write something that contradicts it.
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You don’t always have the time to do that. You learn very quickly, I think, how essential it is to come in with the strongest choice that you have.
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It’s been such a gift that there was so much TV and independent film happening in New York that I could be a part of.
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Sometimes as human beings, we’re so contradictory – we may say something or do something and completely contradict ourselves.
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When the doors to television were opened to me, that was quite a surprise.
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If you’re doing an indie and you have time, sometimes you can do take after take after take, but if you’re working in television on that filming schedule,
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There was something to satiate my desire to be artistic and creative, especially when it wasn’t in the way I originally thought it was going to be.
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There is a voice inside of my head that is trying to convince me that I’m not good enough and that I don’t deserve to be here in Hollywood. So courage is required.
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Being on a show with a female lead is amazing for me. I love that. I love the powerful woman who’s complicated.
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When you do a play, you have all this time to rehearse and grow into the character. In television, even though you’re waiting and waiting and waiting,
AJA NAOMI KING

Character Essence Grow Play Rehearse Television Time Waiting
The courage to decide that I have a voice and need to do what I love. To believe that this opportunity is not wasted on me. To own the fact that I am worthy.
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I grew up in a very suburban neighborhood, so I was used to everything being safe and lovely.
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That’s what I’m learning to embrace in television – not knowing what’s going to happen.
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