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I think the performances that really communicate with me are the ones where I don’t feel like I’m watching someone and thinking: “They’re doing some really good acting.”

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That said, there’s a lot of bad telly, but there’s also a lot of very high quality that is something I’d be much more proud of than a mediocre film.
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I want to be involved in things I can be really proud of. There’s a lot of bad films being made and I don’t understand how they got the money for it.
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Maybe in some ways, it makes me think: “Do you know what? Some people think I’m alright, so maybe I should go into a job thinking I’m not rubbish.” But I don’t really think about it.
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I think the performances that really communicate with me are the ones where I don’t feel like I’m watching someone and thinking: “They’re doing some really good acting.”
AISLING LOFTUS

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It’s when I’m literally completely consumed by the story-telling and the actor or actress is evoking something in me.
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So, it’s nice but I wouldn’t want to go into something feeing like I needed to prove that I was good enough to be there.
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I can be proud of and understand why they’re being told. I do watch a lot of films and TV, but sometimes I think: “Why the hell did you make that then?” I won’t say what they are though.
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I would like, in my life, to always be doing things I’m proud of. I know that probably won’t happen all the time. But I’d prefer to be telling stories.
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I really hope that I can be as good as some people think I can be. But I may never work again… and that’s the reality of the film industry.
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