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And nothing fuels a good flirtation Like need and anger and desperation No, the moth don’t care if the flame is real.

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I think, to be happy is to be interested and engaged.
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I wanted to try to write songs on the piano to get a different flavor.
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When things are really great, it just means everything’s in it’s place.
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When I grew up in the ’70s I thought you had to take drugs. It was almost like I didn’t think you had a choice.
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I thought everything was interesting. I wanted to go scuba diving and I wanted to learn how to surf.
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It’s more important for me to have a good record with good music and be part of a movie that’s good and where the music is used in a really great way. That’s the important thing. The other stuff you want to say about it, I don’t care.
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Anybody who cares less about wanting to be cool, I think, is more interesting.
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In the ’70s, everybody thought drugs were just good times. People didn’t really know about drug addiction, or that such a thing existed.
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Save me from the ranks of the freaks who suspect they can never love anyone.
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And if that’s your sole motivation, it’s going to reflect that narcissistic greed and you’re going to hear it in the music.
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And nothing fuels a good flirtation Like need and anger and desperation No, the moth don’t care if the flame is real.
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Telling what you feel, trying to talk about what’s important to you, does not make you weaker.
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They want to sign distribution deals with labels, who have lots of product, lots of artists.
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At a major label you can start to feel that you’re working for them, and that any work you do, you’re never going to see any benefit.
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Everyone’s just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it’s a huge antidote to that to have a concept album.
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