No, the moth don’t care when he sees the flame The moth don’t care if the flame is real ‘Cause flame and moth got a sweetheart deal.
AIMEE MANNIt’s funny, because my last record was a lot about isolation and people living in separate worlds that other people can’t even understand, which drug addiction is the perfect negative example of.
More Aimee Mann Quotes
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The king of the jailhouse and the queen of the road think sharing the burden will lighten the load.
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And if that’s your sole motivation, it’s going to reflect that narcissistic greed and you’re going to hear it in the music.
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It’s easier to describe that shame, that horrible feeling of not being able to control your own life.
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For me, there’s a fine line between telling a story that’s fictional with lots of details and then removing yourself too much from it, so it’s bloodless, a little too fictional.
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And nothing fuels a good flirtation Like need and anger and desperation No, the moth don’t care if the flame is real.
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At a major label you can start to feel that you’re working for them, and that any work you do, you’re never going to see any benefit.
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There’s a lot of music that sounds like it’s literally computer-generated, totally divorced from a guy sitting down at an instrument.
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All the perfect drugs and superheroes wouldn’t be enough to bring me back to zero.
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Knowing record labels and knowing the kinds of things they would object to-they just object to everything that’s interesting.
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Telling what you feel, trying to talk about what’s important to you, does not make you weaker.
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Life is a series of problems to figure out how to solve gracefully and with dignity. That is what life is and I can’t see it any other way.
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I thought everything was interesting. I wanted to go scuba diving and I wanted to learn how to surf.
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I don’t believe in asking people to spend $15 on something they’ve never heard before. That’s just unreasonable.
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I certainly understand that we’re all trying to make a living, but I’m not thinking about that when I’m making it.
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Nightly you retrace your steps again to return to the scene of the crime. It’s uncanny how you hover in the air of the wreckage that you left behind.
AIMEE MANN